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On the cover
On the Cover Miles Davis Featured on "Miles Davis at 100: Musicians explain why he is the GOAT"

After the Feed: A New Era for Music Gatekeeping has Arrived

George Ergatoudis traces three eras of music gatekeeping: institutional editors (pre-2010), algorithmic platforms (2010-2025), now agentic AI assistants personalizing discovery before listeners ever browse. Drawing on Eli Pariser's "After the Feed" report, he argues "thick reputation" — built through real community engagement — will replace stream counts and follower metrics. Industry move: build private communities, push artist-owned platforms, get into standards rooms before defaults harden.

Music Business Worldwide · Essay

Tencent Music is quietly building a live music empire.

MBW reports on Tencent Music's quiet pivot from streaming platform to full-stack live entertainment company — concerts, ticketing, merch, triple-digit growth. The strategic logic is sharp: in an era where AI can generate infinite recorded music, the unreplicable thing is the room, the crowd, the moment. Western DSPs have dabbled in live; Tencent is going vertical. If streaming margins keep compressing, owning the physical layer starts looking less like diversification and more like survival.

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Heavy Machinery · Essay

Towards Slop Materialism

Heavy Machinery's latest argues we've been asking the wrong question about slop. Instead of debating what counts as AI-generated filler, the piece pushes toward when we slop — treating it as a material condition we operate within rather than a category to define. If you've felt the discourse spinning its wheels while your feed gets worse, this reframe might unstick something. The provocation is simple: you're already a slop materialist. You just don't know it yet.

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01 Music & Scene

Miles Davis at 100: Musicians explain why he is the GOAT

Steve Baltin at the LA Times marks Miles Davis's centennial by asking Carlos Santana, Wyclef Jean, Flea, Chuck D, and Ron Carter why Davis is the GOAT. The answer that emerges is less about jazz than about reinvention as discipline. The piece reads as both birthday tribute and an argument for treating Davis as cultural cornerstone, not period-specific genius.

Read on Los Angeles Times →

I Know How Damn Hard It Is: Remembering Sonny Rollins

Chris Robinson at POW MAG remembers Sonny Rollins — the last surviving figure from Art Kane's 1958 "A Great Day in Harlem" — by arguing his legacy lives in something quieter than Davis's reinvention or Coltrane's cult: the embodied ideal of the improvising soloist. From Saxophone Colossus through the two self-imposed sabbaticals, Robinson reads Rollins as the musician's musician.

Read on POW MAG →

Herb Sundays 187: The Field

A profile of electronic musician Axel Willner (The Field) and his new album "Now You Exist," featuring an interview excerpt discussing the importance of emotion in music. The piece also includes commentary from Heathered Pearls (Jakub Alexander) on Willner's 20-year career and influence on ambient and dub techno music.

Read on Herb Sundays by Sam Valenti IV →

JOHN MCCLAIN: RECORD MAN

A personal essay about John McClain, a rising A&R executive at A&M Records in the early 1980s L.A. music scene, his background as a musician and son of jazz pianist Dorothy Donegan, and his role as a mentor in the black music business.

Read on The Nelson George Mixtape →

The Optimist: Remembering Ryan Porter

POW MAG remembers Ryan Porter, the trombonist and West Coast Get Down linchpin who died in a car accident. A key figure in L.A.'s jazz revival and a contributor to Kendrick Lamar's To Pimp a Butterfly, Porter's 2018 album The Optimist is the marker he leaves behind.

Read on POW MAG →
02 Music Industry Analysis

Five Platforms Charting the Future of AI Music

Marcus Lawrence at Zinstrel maps five AI music platforms beyond the headline lawsuits: Riffle (browser collaboration), Tamber (DAW-integrated production), Soundverse (ethical training data), Tensorpunk (local plugin tools), and ElevenLabs (licensed generation + creator marketplace). The frame: AI music is maturing past raw model power into platform bets on collaboration, ethics, and economic sustainability.

Read on Zinstrel →

Is Spotify Vulnerable?

The argument here is structural: Spotify ran a classic audience-capture playbook — low prices to build lock-in, now three price hikes in under three years to harvest it. The piece frames streaming subscribers as the proverbial frog in boiling water, and raises the question of whether that squeeze creates real vulnerability as the streaming landscape shifts.

Read on Ted Gioia →
03 Music Recommendations

Boards of Canada — "Inferno"

Their first album in 13 years, Inferno deploys the wistful pads familiar from their '90s work but adds driving, menacing elements sometimes distorted beyond recognition. The mood swings between panic and acceptance—a darker turn from brothers who told The Guardian in 2013 they'd 'become a lot more nihilistic over the years.'

04 Voice & Culture

Obsession,' 'Backrooms,' and What YouTube Can Teach Movies

Sean Fennessey's Substack piece argues that not knowing too much is a creative skill — using Hendrix as the entry point before pivoting to two emerging filmmakers using YouTube-native tools to distort cinematic form. The argument that novices often break form more effectively than veterans is familiar, but Fennessey earns it through specificity.

Read on Sean Fennessey →

The Singlish Edition

Why is this interesting? makes the case that Singlish — Singapore's English-lexified creole — survived a government campaign designed to erase it and became a stronger identity marker because of that pressure. The piece is sharpest on the sentence-final particles (lah, lor, leh) that outsiders hear as filler but are doing real grammatical and emotional work.

Read on Why is this interesting? →

A Good Exit: Garielle Lutz

The Believer launches a column where five writers confront their own mortality with a palliative-care physician as guide. First up: Garielle Lutz, whose language-pushing fiction makes her a fitting subject for a column that treats death as a craft problem — something to be faced with precision rather than deferred.

Read on The Believer Magazine →

I have no interest in a life with no purpose

A journalist from Gaza discusses her path to journalism, her work covering the hardships in Gaza before October 2023, and her experiences documenting the war as a freelancer for international media outlets. She reflects on the personal and professional toll of covering the conflict while maintaining journalistic integrity and moral principles.

Read on The Politics of Dancing →
05 AI + Content & Editorial Technology

Can statistics tell us whether Jamir Nazir's 'The Serpent in the Grove' was written by AI?

Stylometry — the statistical fingerprinting of prose by function-word frequency — is being applied to Jamir Nazir's Commonwealth Foundation prize-winning story amid AI-authorship accusations. James O'Sullivan's Substack walks through the methodology, including Burrows' Delta, and asks whether the technique can settle what literary intuition can't.

Read on James O'Sullivan's Substack →

Commodity Intelligence

Contraptions draws a useful line between commodified knowledge and commodity intelligence — arguing that AI reliability tracks directly with how 'digested' its training data is. The OpenAI math proof example grounds it: robust AI outputs come from Ballardian (well-annealed) data, not frontier unknowns.

Read on Contraptions →

I'm deeply worried about the future of higher education

An academic specializing in how computers interact with text and language explores the uncertainty surrounding the future of higher education in the age of generative AI. The piece discusses various institutional conversations about AI—from panel discussions to strategy documents—and argues they fall short of addressing the real transformations happening in academic work.

Read on James O'Sullivan's Substack →
06 AI Product News

The Six AI Trends Defining 2026

An analysis of six major AI trends shaping 2026, including the paradox of cheap inference driving increased spending through agentic systems, the shift toward intelligent model routing, and the redistribution rather than democratization of AI economics.

Read on The AI Corner →

The AI data center pushback

A report on growing bipartisan opposition to massive AI data centers across the United States, documenting moratoriums, bans, and community resistance from Maine to California. The piece highlights specific cases including Michigan's University partnership and South Carolina's six-month construction moratorium.

Read on 404 Media →

OpenAI Has Rigorous Frameworks for Biorisks. ChatGPT's Personality Has None. Altman Admits It on Camera.

The AI Corner flags a striking admission: Altman says ChatGPT's personality design is OpenAI's highest-impact work — and it has no scientific framework behind it. 900 million weekly users, zero resolved answers on tone, adaptability, or what a "good" personality even produces. The same rigor applied to biorisks hasn't touched the thing shaping how a billion people think.

Read on The AI Corner →
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